"The chief source of art is man's pleasure in his daily work, which expresses itself and is embodied in that art itself."
William Morris (1834-1896)

Tuesday, November 2, 2010

Turning the corner on the MET order

minis glazed above; dried below
minis dried waiting to be bisqued
1st firing
ready to fire

glazed and ready to load again
2nd firing

loaded ready to fire

Drying on top of cooling kiln

lid opened

large pieces of the third firing
3rd firing



4th firing
4th firing

 October was a busy month filled with firings of all the pots we've been making madly. Looks like we  now have over 300 of the 400 minis for the MET order plus a few nice things to take to the show in Rochester this coming weekend.

Wednesday, October 27, 2010

It's all in the Game


We so often find that just when we are at peak production we'll get hit with a big slowdown.
That's what happen this last week with both kilns demanding repair. New elements, new relays, new thermocouples... the works, everything but the switches had to be replaced. Our kilns work hard though so it is understandable; it's also understandable that we don't like to take unnecessary chances and fix them asap.
After the fix, we fired during the day so we could be sure it was working well. It is difficult to make important decisions about the firing when you are half asleep which is the case when we fire overnight.
Of course, we couldn't use the studio while it was firing so we lost a half day but it was worth it to be sure the kilns were working properly. Though these kilns have a digital programmer, Steve checks the kilns 3-4 times during the firing. Problems that can arise like uneven temperatures top to bottom are then controlled manually as well as possible.

loading the glaze kiln
Continuing to glaze


Success!

Again with a little bit of feeling!

Monday, October 18, 2010

Virtual Studio Tour

loading the bisque







301, 302, 303, 304, 305, 306, 307, 308, 309, 310....

Steve's ready for Halloween....

Tuesday, September 28, 2010

Throwing off the Hump









This term is used to describe the technique of centering a large amount of clay on the wheel before partitioning it into smaller sections one at a time to make numerous small pieces. Steve learned this technique at Haystack Mountain School of Crafts under Mutsuo Yanaginara in 1973. It saves some time and space in being able to continue throwing piece after piece without stopping, placing another ball of wedged clay on the wheel and centering that piece. Still each section has to be individually centered, thrown and removed from the larger mass. The trickiest part is compressing the bottom of the pot when it is not against the wheel head and cutting the piece off of the main 'hump' of clay. Steve uses this technique for throwing all the minis.




                                 















Thursday, September 23, 2010

All in a day's work

plain & fancy
noodles!


Working on Snow Drops


drying the glaze in the sun!


last night's kiln

more of the same

the first 13 of 400 minis for the MET        :-(